Death. The Catacombs of Paris, quite literally, are full of it. The sign at the entrance warns you: Arrête: C'est ici l'empire de la mort - "Stop: Here is the empire of the dead." Kind of a grave greeting (pun intended), isn't it? The catacombs are part of the caves and tunnels carved out of the rock underneath Paris' streets, the only part open to the public. The rest of the tunnels are shrouded in legend and myth, closed off to the casual visitor yet spanning 280 kilometers in reach. My favorite story involves police stumbling upon a secret cavern and the eery circumstances of it all. I mean, it's straight out of a novel or a movie. The old entrance to the city was right around the current entrance to the tourist site, and it was given the name Hell's Gate.
As for us, halfway through the tunnel we passed under the sign that warned us of our entrance into the actual ossuary, and that's where things got interesting. Six million people rest there, and you see a lot of them. Bones upon skulls upon more bones are stacked on each side of the path, often elaborately fit together so that they could fit as many as possible. Memorials are interspersed throughout and you can touch as many as you want... or none at all, of course (the memorial in the photo above translates to "Come, people of the world, come into these silent abodes and your tranquil soul will be struck by the voice that rises from within. It's here that the greatest of schoolmasters, the Tomb, holds its school of truth."). Even in a place so overwhelmed with death and generally-accepted scenes of repulsion, it was actually really peaceful. I wasn't sure how I'd feel walking through, but I felt much the same as I would in any of the Parisian cathedrals - calm, respectful, in awe, and not at all revolted by any of it.
Ascension. I was feeling renewed, ready to climb back to the surface and keep climbing up to Montmartre. Taking one of the longest metro rides possible while still remaining inside the city itself (20 stops on the same line!), we emerged in Montmartre. The artist's nirvana, it's a village within a metropolis, known for cultivating the talents of Van Gogh, Picasso, Monet, Salvador Dali, Matisse, Toulouse-Lautrec - even Langston Hughes, believe it or not. Lunch at a nice, if slightly overpriced, bistro felt like Paris in pure form, and I definitely needed a beer after all of the walking we'd done so far. However, there was still more to be done, and at a steeper clip. We climbed at least 100 stairs, which look like a 'roided-up version of the stairs from The Exorcist down which the priest gets thrown to his doom, to reach the Sacre Coeur, the highest point in all of Paris.
Paris, from the Sacre Coeur |
Hell. Pigalle. And I don't mean Pigalle is Hell in that it's a horrible, despicable place, but more so that it's a hub of debauchery and hedonism. Visiting where I stayed for the first time in Paris, I felt much more comfortable during the day with a few companions than last time, at night by myself. The sex shops, strip clubs, and brothels-in-disguise looked much less menacing than before. We ignored the Asian "performer" outside who was playing innocent to try to lure people into their club, but some tourist had no idea what was going on and got sucked in. Poor guy. We confirmed that we couldn't afford a show at the Moulin Rouge (80 euros to get in, a lot more than that if you wanted dinner/champagne to with it), so we looked for a bar.
Going through all of the afterlife's various states was exhausting, so a pre-dinner nap was on tap (shocker). And remember how I said you shouldn't go looking for a decent meal between rue Saint-Jacques and boulevard Saint-Michel? Yeah, well, we pushed our luck and ended up on the losing side this time. The food wasn't good, but at least the company was. Bummed about our dinner misfortune, we turned in early, but drinking wine in the apartment wasn't a bad consolation by any means (and cheaper!). The benefits of staying in an apartment just kept adding up!